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Musim 4 (2008)
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Templat:Season Data
Rumusan
- Sekarang dijangkakan untuk siaran di Amerika Syarikat pada Mac 2008[1]; inti musim terakhir Siri Dibayangkan Semula
Cerita
Umum
Perkembangan watak
Perkembangan Cylon
Nota
Para pelakon
Utama
Sekunder
Staf Penghasilan
Penerbit
Pengarah & Staf Pengarang
- To view the list of all the directors and staff, go to the Battlestar Galactica Crew Guide page.
Episod
- To view the list of episodes, go to the Battlestar Galactica Episode Guide page.
Pernyataan Rasmi
- It will be a serialized show to an extent. I think what we talked about with the network — because their concern is the drop-off in viewers and giving too many hurdles for new viewers to overcome to watch the show — we're always going to try to provide at least an episodic quality to each show. Even though there are plotlines that are ongoing over the course of the whole season, we'll try to give you something in each episode that you can hold on to that starts and stops within that episode.[3]
- Moore discusses the Final Five:
- Well, you can see from the end of the third season that they all sort of are still the same people. They're still the same characters. They didn't switch over and become robots suddenly. So essentially you're going to see an extension of that initial moment where they try to figure out what does this mean to them. If they're Cylons, when did that begin? What are their true backstories and what are they meant to do? What are they supposed to do? Are they dangerous to each other? Are they dangerous to the ship? Do they trust any of the people around them? Should they keep the secret only among themselves? That's essentially where their storylines are going to pick up.[4]
- Moore discusses ending the series:
- Yeah, I mean, the burden [in breaking 20 episodes for this season] then became okay, now we have a great deal to wrap up and bring resolution to and we wanted to pay off a lot of things and we wanted to tie up a lot of loose threads. It felt like we had more than enough to get to where we were going to, whereas usually when you're facing the 20 episode order, it's like, "Okay, whew, we need 20 of these? Where are we going to get 20 of these?" You have to start breaking it down into smaller, bite sized chunks and move yourself along. This time, it was almost like, "Okay, let's make sure we've got enough time to get everywhere we need to go."[4]
- We will find Earth. And [my character, Kara Thrace is] not a figment of people's imaginations.[5]
- Sackhoff discusses ending the series:
- I'm happy about it. It is a choice that was made by us. The rug was not pulled out from underneath us. We're going out on a high, with our heads held high. We made the choice and we're going to be able to decide our end and our fate, instead of [having to] wrap it up as fast as we possibly can because we've been cancelled. And it was a smart thing to go out on a high. And you know, this is my fourth series. I think I've done more television than anyone else on the show, except maybe Eddie [James Olmos], because of Miami Vice. He's right there with me! But I've done s**tloads of television, and every single show the rug is pulled from out underneath you, and you're going, "What do I do now?" And this is such a great opportunity to wrap it up, say everything you want to say in your character, and put it to bed.[5]
- Brad and I wrote the opening episode of year four and we were up in Vancouver for its pre-production and some of the first few days of filming. The revelation at the end of last season of our four Cylons who didn't know they were Cylons has once again upset all the chess pieces. So the big challenges starting out this season are how do you play those characters going forward and track their emotional development, or unravelling as the case may be, in a way that's organic as well as genuine and not contrived. Also, as most people know, Starbuck reappeared in the final seconds of last year's finale, so there's also the question of how to deal with that character going forward. There are going to be lots of twists and turns this year. You're going to see our characters wrestling with tormenting problems and experiencing, perhaps, some rather jaw-dropping changes and evolutions. All the dynamics that you may have become used to on the Galactica ship itself will be in flux and we think, and hope, that's going to be tremendously fun to watch.[6]
- Lucy Lawless on the cast and crew reaction behind the scenes:
- Things seem great actually; far more comfortable than we did on Xena at this stage, but maybe it hasn’t hit them or maybe it’s an easy adjustment because there are so many of them and several of them are working on Bionic Woman. The mood is really great. I’m surprised how comfortable they are. Halfway through the last season of Xena, the cast tended to get snappish with one another, and I think it was just anxiety of not knowing where your mortgage payments were coming from. I think the writers’ strike is probably of more significance at this moment; than the end of the show. I don’t think it’s quite real to them yet.[7]
- In Season 4, Battlestar will be the gayest show on television. Forget secret Cylons, all our characters will be revealed to be gay. We will even see gay Centurions and gay daggits. Actually, the daggits will object to the use of that term and will insist on simply being called dogs. And Season 4 will indeed see the return of a favorite dog, though not necessarily a gay dog… but, um, what was the question again?
- Oh, right: Will we see more gay folks on Galactica [this] season. Well, to take a more serious tack, I think part of the point about Cain’s and Gina’s relationship is that the fact that they had a same-sex relationship was no big deal. I think we started from the idea of wanting to explore whether Cain’s anger and revulsion at Gina, so evident in her first appearance in Season Two’s “Pegasus,” had a personal component. And the idea that Cain had had an intimate relationship with Gina quickly came to mind. It made Gina’s betrayal that much more devastating for her.[8]
- Inevitably it changes the vibe because there's suddenly a horizon you can see, and we all have personal lives, and coming up to Vancouver for some of us is quite a schlep. Knowing it's the last time changes everything, so yea, it's a different deal.
- There's also a real peace of mind that comes with the fact that we're gonna get to finish the story—the story's always begged an ending—and we get to give it to you, so there's a lot of excitement and anticipation attached to that.
- It feels like every moment that passes is gone forever now, like the last performance of a play on the last night...you know...you start off with your monologue in the first scene and you know when you finish it that's the last time you'll ever do it. There's a nostalgia that goes with every conscious moment.[9]
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